Rock & Roll Hall of Fame inductee and The Go-Gos cofounder Jane Wiedlin announces the first round of book signing events surrounding the release of her forthcoming tell-all tome TMI: Memoirs of a Go-Go. The book releases via Hachette Book Group / Da Capo Press on November 10th. All current signing events are listed below, with additional dates announcing soon.

Jane Wiedlin was born in Wisconsin and moved to California’s infamous San Fernando Valley, home of Valley Girls, at age six. She was an avid music fan from that moment on, exposed to the greatest rock and pop songs of the 1960s by her older siblings.

In high school she was enamored with the glitter rock scene ie David Bowie, Marc Bolan, etc. At the time glitter/glam rock was a small musical movement in the US with equal parts music, clothing and attitude. 

Jane attended Los Angeles Trade Tech College, where she learned the nuts and bolts of the fashion industry, with the aspirations of becoming a designer. In 1976 she discovered the punk rock scene in nearby Hollywood. Most of the kids in the scene were former glitter rockers, the punk scene basically following that same format of music, clothing and attitude. It attracted rebels, misfits, malcontents and artists.

Jane started designing punk clothes, learned to play guitar and started writing songs — something she could never have dreamed of as a girl. In 1978 she formed the Go-Go’s, and with their poppy punk sound, the band grew popular up and down the West Coast. In 1981 the Go-Go’s signed to indie label IRS Records, helmed by the legendary Miles Copeland. Against all odds, after a year of release, the album, Beauty and the Beat, went to #1 on the Billboard charts.

When the Go-Go’s disbanded in 1985, Jane started her solo career, recording five albums. The band reformed in the 90s and have been together ever since.

Jane’s new autobiography, TMI, Memoirs of a Go-Go is out November 10th, and a new album of protest song covers, called ¡ I PROTEST! produced by Jane, is shortly to follow.

Jane is a loudmouth activist, both for animals, women and politics. She spends her free time saving dogs, writing, reading and napping.

JANE WIEDLIN - BOOK SIGNINGS 2026:

11/09 West Hollywood, CA - Book Soup

11/12 Malibu, CA - Private event

11/14 San Francisco, CA - The Booksmith

11/16 Plainville, MA - An Unlikely Story

11/19 Washington, DC - Politics & Prose

12/08 Palm Springs, CA - Cultural Center

"I guarantee you, it will be jammed firmly in your head for days on end." -- Metal Injection

“An instant earworm.” — Metal Sucks

“As ridiculously awesome as their big, dumb moniker would imply… churning out lumbering cascades of clobbering, trucker hat riffage that toe a slobbery line between Dinosaur Jr., Primus, Pantera and ZZ Top.” – Decibel Magazine

"Epically catchy... Imagine the ear-wormy fuzz-rock riffage of Dinosaur Jr. if it was played on an eight-string guitar with super heavy low-end." -- Revolver Magazine

"Rickshaw Billie's Burger Patrol have a winning formula: the most unflinchingly massive guitars you've ever heard in your life paired with surprisingly melodic, laid-back vocals." -- Consequence of Sound

Austin trio Rickshaw Billie's Burger Patrol release their fourth album Ca$h Grab today on LP, CD, cassette, download and all streaming platforms. Ca$h Grab is available to order on LP/CD/MC HERE. Hear/share Ca$h Grab on all DSPs HERE.

RBBP also recently announced December headlining tour dates, ahead of more extensive dates in early 2027 to be announced soon. Fans can get tickets HERE for all shows. Please see current dates below. 

Rickshaw Billie’s Burger Patrol further the sarcastic tone of their previous album’s title Big Dumb Riffs to double down with Ca$h Grab. The irony here — and perhaps the point — is that Ca$h Grab is the band’s most introspective and lyrically vulnerable songwriting to date. 

Of course, the band still bludgeons with thunderous 8-string guitar, growling bass chords and pummeling drums throughout. But these songs are as bassist Aaron Metzdorf explains,“more pop song forward, while still in the idiom of heavy music.”

The album finds the trio — vocalist/guitarist Leo Lydon, drummer Sean St. Germain and bassist/vocalist Metzdorf — expanding their mastery of heavy, hook-filled riffs and rhythms couched in earworm melody that would make Green Album era Weezer jealous. Following the Spartan Primus-meets-Pantera rhythmic ruction in 2 minutes or less of Big Dumb Riffs, the band lets melodies lead the battlefront this time around. In so doing, the lyrics are more personal and revealing, juxtaposed with twisting notes that nod to influences from Built To Spill and Sugar style indie pop to early 90s-era Rush. 

“The heavier parts are even heavier, but more fleshed out. And the heaviness is not just in a guitar riff, but heavy lyrics, heavy melody,” Metzdorf says. “Some of the heaviest parts of the whole album are Leo's vocals. While the poppier stuff has a more prominent role on this one.”

Ca$h Grab kicks off where the last album left off: The slow burn quiet/loud dynamic of “Freakshow”, seemingly the end result of the quasi-psychotic conceit of the previous disc’s “In a Jar,” both of which are sung by Metzdorf, who sings lead on 5 of the album’s 14 tracks. Vocalist/guitarist Leo Lydon really showcases the versatility in his singing, belting out high notes like never before on songs like “Fate Is”, “Peaches” and the title track. And while his vocals soar, Lydon’s 8-string guitar rumbles with menacing low end while intertwined with Metzdorf’s thick, heavily distorted bass chords. The band’s secret weapon, St. Germain pulls it all together with his innovative beat substitutions and explosive, syncopated hooks delivered with an effortless groove and fun loving smile. 

In the two years since Big Dumb Riffs, the band toured relentlessly, both as a headliner and supporting The Sword, Death From Above 1979, Pigs x9, King Buffalo and more. Their meticulously curated annual Big Dumb Fest in Austin and headlining dates continue to sell out and the band’s ever growing rabid fanbase proves that RBBP’s iconic reign has just begun. 

Ca$h Grab is available on LP, CD, cassette and download/streaming, released on October 23rd, 2026.

RICKSHAW BILLIE’S BURGER PATROL - LIVE 2026:

11/28 Silverado, CA - Silverado Festival 

12/04 Denton, TX - Rubber Gloves

12/05 Tyler, TX - Stanley’s Famous Pit BBQ

12/06 Memphis, TN - Hernando’s Hideaway

12/09 Indianapolis, IN - Black Circle

12/10 Columbus, OH - Ace of Cups

12/11 Louisville, KY - Zanzabar

12/12 Asheville, NC - Eulogy

12/14 Orlando, FL - Will’s Pub

12/15 Tampa, FL - New World Brewery

12/16 St. Augustine, FL - Cafe Eleven

12/17 Pensacola, FL - The Handlebar

12/18 New Orleans, LA - Siberia

12/19 Houston, TX - Bad Astronaut 

RICKSHAW BILLIE’S BURGER PATROL - LIVE 2027:

May 07 Oslo, NO - DesertFest Oslo

Artist: Rickshaw Billie’s Burger Patrol

Album: Ca$h Grab

Record label: RBBP / Permanent Teeth

Release Date: October 23, 2026

01. Freakshow

02. I Doubt It

03. Peaches

04. Fate Is

05. Punisher

06. Follow Through

07. Bury Me in Denver

08. Ca$h Grab

09. The Disappearing Man

10. No Juice

11. Bough Down

12. Talking To You

13. Couple Skate

14. Lush

https://linktr.ee/rickshawbilliesburgerpatrol

www.rickshawbilliesburgerpatrol.com

rickshawbilliesburgerpatrol.bandcamp.com

"Here, Lustig turns toward something closer to psychedelic pop and alternative rock, although his instinct for unusual arrangements hasn’t gone anywhere." -- It's Psychedelic Baby! Magazine

"Underground art-rock channeling Ron Mael (Sparks)." -- Echoes & Dust

NYC Grammy nominated musician Raymond J. Lustig shares a new single from his forthcoming album Welcome today on all platforms. "No Need To Fear" is available to hear and share on all DSPs HERE. 

The previous single "Corrientes 3000" premiered earlier via MAGNET Magazine HERE.

Ray Lustig is 1/2 of NYC songwriting duo Manicburg and an award winning professor in composition at Julliard. Yes, THEE Julliard, school of performing arts. But this isn’t stuffy Classical music nor icy neo-Classical navel-gazing. Ray’s music shares more with psychedelic post-punk, Manu Chao, Tom Waits, Radiohead and other hard to categorize works of intricate composition. 

Welcome is his latest solo album exploring realms of alternative/indie rock coming hot on the heels of his choral opera Semmelweiss. The first single “That’s The Moment” is a hooky, electronic-infused psychedelic pop tune. 

Lustig's work transcends and integrates many genres, as composer, performer, producer, and bandleader. From symphonic works to experimental opera, instrumental music, to alternative rock and electronic music, his music maintains an artistic and sonic signature across strikingly different forces, an emotional intensity not about loudness but often quiet and constant.

While his early career was set in the world of Juilliard and Carnegie Hall, he has moved steadily “downtown” and around the world, working with international musicians ranging from underground rockers to modular synthesists, jazzers, traditional folk instrumentalists, and classical virtuosi.

With New York-based Italian artist Luigi Porto he started the band Manicburg, which released its debut album in 2024, and continues to tour and record.

His choral opera SEMMELWEIS was staged in a 2018 production by Hungarian director Martin Boross. In 2026 Lustig and co-producer Maximilien Hein reimagined the music of the opera as a concept album taking the form of a song cycle. It met with global critical acclaim.

His latest album, WELCOME, due out in the autumn of 2026, takes his solo music again in the direction of alternative rock, with a lush electronic and compositional palette, exploring different angles of anxiety and fear in a menacing world, a serial tale of psychedelic peril.

Lustig has collaborated with American Composers Orchestra, Grand Rapids Symphony, Metropolis Ensemble, Budapest Operetta Theater, the Bartok Plusz Opera Festival, the American Opera Project, cellist Joshua Roman, tenor Nicholas Phan, pianist Blair McMillen, classical guitar ensemble Duo Noire, director Martin Boross, aanimator John W. Lustig, and more. He has taught composition and analysis at The Juilliard School and served on the Pulitzer Prize selection committee.

Ray’s work has been honored with the Charles Ives Fellowship from the American Academy of Arts and Letters, ASCAP’s Rudolf Nassim Prize for his orchestral work UNSTUCK, the Aaron Copland Award from Copland House, the Juilliard Orchestra competition, the New Juilliard Ensemble competition.

Lustig is part of a growing scene of artists and musicians based in the far-northern neighborhoods of Manhattan, and hosts monthly music parties in his studio there.

Welcome will be available on LP and digital on November 20th, 2026 via Respirano Records. 

Album: Welcome

Record Label: Respirano Records

Album Release Date: November 20, 2026

On the Web:

raylustig.com

instagram.com/raylustig 

facebook.com/raymondlustig 

raymondjlustigmusic.bandcamp.com

open.spotify.com/artist/raymondjlustig 

Los Angeles band AxOxHx share the first single today from their forthcoming debut album on Lost Future Records. The song, "There Felt Like Being" launched earlier via ReGen Magazine HERE. The track is now available on all DSPs HERE. 

Felt Like is the second full-length release of LA’s industrial techno trio AxOxH. It was recorded in several places over the course of two years, at live performances and studio sessions in Highland Park, Los Angeles. Combining the sensibilities of industrial, techno, ambient and experimental music, the trio continues to explore their confluent sound, via improvisation and reconfiguration, experimenting with song-structure, overdubs and outside collaboration, with inclusions of guitar (David Baldwin) and saxophone (Patrick Shiroishi). The album’s title comes from a sense of stillness that continues to pervade in the aftermath of relentless tragedy in our communities and abroad.

AxOxH is a collaboration between Jesse Perlstein (Sontag Shogun, Trellis), Daniel Sparks (Omniscuro) and Erick Eiser (Hornsbee). The project began as an improvisational outlet in a garage in East LA, after a pandemic’s worth of musical abstinence. The project crosses and challenges genres by taking Jesse’s lush ambient soundscapes, paired with Omni’s modular beat-focused builds with Erick’s layers of harmony, bass, and melody transforming the disparate parts into a melodic, rhythmic whole, something difficult to define and never the same way twice.

Felt Like will be available on LP and digital on February 12th, 2027 via Lost Future Records. Orders are available HERE. 

Album: Felt Like

Record Label: Lost Future Records

Release Date: February 12th, 2027

01. The Bitter Pill

02. There Felt Like Being

03. Wilshire

04. Breaking Down the Barn Door

05. Swarm the Eternal Shore

06. Nine

07. Heavy Manners

08. Collapse

09. Always Never 

On The Web:

instagram.com/axoxhxx

axoxh.bandcamp.com

lostfuturerecords.com

instagram.com/lostfuturerecords

lostfuture.bandcamp.com

"Grungy hardcore duo SWAMPFOOT are an all-caps, all-the-time kind of band."

Binghamton, NY duo SWAMPFOOT share the final single from their forthcoming self-titled debut full length LP today on all platforms. Hear and share "MAKE ME GO AWAY" on all DSPs HERE. 

Pre-orders for the album on LP, CD and digital are now available HERE, the album is also available to pre-save on all platforms HERE. 

Decibel Magazine recently premiered the video for album track "AIM LOW" HERE. (YouTube HERE.)

SWAMPFOOT is a dynamic, two-piece hardcore punk band based out of New York State. The group was birthed in 2025 by Cliff Hodson (vocals/bass) and Jordan Greene (drums). They entered the studio in July of 2025 with the goal of creating a gigantic wall of aggression with just a single bass and a set of drums. Working with producer Kenny Eaton (Teen Mortgage) at Mystery Ton Studios, the mission was accomplished. Crushing guitar tones and thunderous bass were all sculpted and then captured in pure, analog beauty using just a single bass, signal splitters, stomp pedals, and some crazy boutique amps from the 1960's and 1970's. Combine all of that with real, live-tracked drums, and a bunch of singing and yelling through an expensive Telefunken U47, and you've got yourself one huge, pissed off sounding debut record.

Their first single "No Matter What" sounds like System of a Down having a fist fight with the Beastie Boys while Rick Astley films it on his iPhone. They followed it up with their second single "Master Plan" which pokes at the idea of a manufactured existence by society's elites built to keep everyone in check, all delivered through fast paced, old-school thrash riffs, blistering drums, contagious vocals, and the heaviest breakdown you'll ever hear from a two piece band wielding a mere bass and set of drums. Their live show is no joke and stays 100% authentic to what you hear on the record. Two dudes, one monstrous sack of noise. 

SWAMPFOOT will be available on LP, CD and download on November 13, 2026 via Permanent Teeth. Pre-orders are available HERE. 

SWAMPFOOT - LIVE 2026:

11/13 Binghamton, NY - Crowbar Arcade

11/21 Syracuse, NY - Pink Rock

11/22 Boston, MA - O'Brien's Pub 

Artist: SWAMPFOOT

Album: SWAMPFOOT

Label: Permanent Teeth

Release Date: November 13, 2026

01. NO MATTER WHAT

02. THERE’S NO POINT 2 LIVE

03. ONE WORLD

04. AIM LOW

05. MAKE ME GO AWAY

06. MASTER PLAN

07. WASTE NO TIME (DO IT)

08. STUCK IN MY WAZE

09. WISH (NIN cover)

"Deathdotgov has built its sound around chaotic rhythms, jagged guitars and an apparent disregard for genre boundaries." -- MAGNET Magazine

Phoenix, AZ band Deathdotgov share two new tracks today from the forthcoming deluxe reissue of their debut album deathdotcom. The remastered album version of "Laces" and the new collaboratively reworked version, "Laces (Redux)" both launched earlier via MAGNET Magazine HERE. The tracks are now also available on all DSPs HERE. 

Deathdotgov recently released a clever open source music video for their single "Magic Guns" from the album. The video was shot using green screen, so that fans can download the file and add whatever visuals to the video and share online. The band will share all fan created videos on their own channels. "Magic Guns" premiered via New Noise Magazine HERE. Watch/share/download "Magic Guns" video on YouTube HERE. 

The video source files are available for direct download HERE. 

From deep within the desert emerges Deathdotgov, a multi-hyphenate, genre-renouncing group of musicians from Phoenix, AZ. The quartet consists of Coba Westerman (vox), John Bacino (guitar), Dylan Ewing (guitar) and Meghan Herring (drums). 

Each member’s extensive experience with previous projects lends an element of chaos that -- in the band’s own words -- was always the goal. Since their blistering first show in early 2023, deathdotgov has gone on to commit musical war crimes across the land.

Combining elements of math rock in its least traditional form and inspired by post punk and the weirdest, heaviest of breakdowns, the band’s first single “The Observer” puts every member’s talent in the spotlight while also proving that they’re never going to be predictable with their sound. They released their debut album deathdotcom in 2025 and have no plans on slowing down any time soon. 

In 2026 the band signed with Lost Future Records for their next album, planned for 2027. The label will also reissue deathdotgov on CD and digital with 6 bonus live tracks in late 2026. Deathdotgov doesn’t need to acclimate - they’ve arrived fully-formed and with a clear vision for their future as a band. 

deathdotcom will be available on CD and digital on December 11th, 2026 via Lost Future Records. Orders are available HERE. 

Artist: Deathdotgov

Album: deathdotcom

Record Label: Lost Future Records

Release Date: December 11th, 2026

01. The National Anthem 

02. Galleria 

03. Observer 

04. Noisedotgov 

05. Magic Guns 

06. Planet Express 

07. Laces 

08. Froth 

09. Thorn Daughter 

10. Tweak 

11. Thy Daily Head 

-- 

12. Laces (Redux) 

13. The Observer (Live @ The Rebel Lounge (7-20-23) 

14. Galleria (Live @ The Rebel Lounge 7-13-24) 

15. Noisedotgov (Live @ Last Exit Live 3-11-26) 

16. Eriatarka (Live @ The Rebel Lounge 7-13-24) 

17. Thy Daily Head / Sweet Victory (Live @ Rebel Lounge 7-20-23)

On The Web:

linktr.ee/deathdotgov

lostfuturerecords.com

instagram.com/lostfuturerecords

lostfuture.bandcamp.com

"Resolution is one of the unexpected delights I’ve heard from the Stoner Rock scene this year. As Pink Fuzz are brilliantly inventive combining classic Stoner Rock against areas of Shoegaze, Alt Rock and Indie Rock for a record that’s bound to become a firm favorite within the underground scene." -- Outlaws of The Sun

"Resolution is a sleek, hard rocking album with a lot of energy." -- New Noise Magazine

“Riotous Desert Rock.” – NPR

Denver trio Pink Fuzz announce performances in Spring 2027 at DesertFest London and DesertFest Berlin surrounding additional EU & UK dates to be revealed soon. Pink Fuzz is currently on tour with Austin heavy psych trio The Well (RidingEasy Records) for a stretch of Western States shows throughout the month. Please see all dates below. Tickets for all shows are available HERE. 

The band recently released the new single "Don't You Wanna Go To Heaven?", which was mixed by All Them Witches guitarist Ben McLeod and is available to hear and share on all DSPs HERE.

Following quickly on the heels of their acclaimed new album Resolution, Pink Fuzz's taut new single shows the benefits of their extensive touring over the previous year with The Sword, Black Pistol Fire, Rickshaw Billie's Burger Patrol and Earth Tongue. 

Pink Fuzz is a brother/sister led three-piece out of Denver made up of singer/guitarist John Demitro, singer/bassist LuLu Demitro and drummer Will Trafas. Pink Fuzz came to fruition at the end of 2017. Quickly picking up steam and wanting to expand out of Denver, Pink Fuzz started touring extensively. Creating a DIY circuit throughout the country, they’ve built a grassroots fanbase that has anxiously been awaiting new releases. Finally, 4 years after their previous release, the band's latest album Resolution landed September 19th, 2025. 

John’s baritone guitar lends itself to their heavy and fuzzed-out tone. The tuned down sound mixed with vocal harmonies and unique melodies is their calling card. The band’s newest material has been gaining fans since they debuted it at Treefort 2021. The coined term “High-Speed Desert Rock” suits them well as their show is fast-paced, dynamic and hard-hitting.

New singles "Don't You Wanna Go To Heaven?" and “Manipulator” were recorded at Cauldron Audio Works and engineered by Riley Rukavina. The tracks were mixed by Ben McLeod of All Them Witches. The single features custom artwork by Katy Black of Spoonbenders. 

Resolution was produced by Kevin Mckeown (Black Pistol Fire) and mixed by Alain Johannes (Queens of the Stone Age, Chris Cornell, PJ Harvey, Arctic Monkeys). The album received a wellspring of praise from NPR, New Noise Magazine, KNAC Radio (SF), The Obelisk, and many more. 

"Don't You Wanna Go To Heaven?" b/w “Manipulator” is available as a standalone single on streaming and download, released October 6th, 2026 via Permanent Teeth. Resolution is available on LP, cassette and download via Permanent Teeth. Orders are available HERE. 

PINK FUZZ - LIVE 2026:

10/20 Seattle, WA - Funhouse *

10/21 Portland, OR - High Water Mark *

10/22 Sacramento, CA - Cafe Colonial *

10/23 Oakland, CA - Thee Stork Club *

10/24 Vista, CA - Booze Bros *

10/25 Costa Mesa, CA - Wayfarer *

10/26 Los Angeles, CA - Zebulon *

* w/ The Well

PINK FUZZ - LIVE 2027:

05/14-16 Berlin, DE - DesertFest Berlin

05/21-23 London, UK - DesertFest London 

“Pamphlets tear into insatiable greed and the moral rot of power on “Against the Forces of Nature,” a blistering, serrated-guitar eruption whose feverish urgency and impassioned performance introduce their debut album ‘Somewhere in Zacatecas’ with thrilling force.” — Atwood Magazine

“Sharp observational lyrics on top of shark angular guitars, and a fun but pointed punk sound that still is every bit as arty as it is fierce.” — We All Want Someone To Shout For

"Taut, angular post-punk... much of their music addresses the larger forces that contribute to the anxieties, instability and uncertainty of contemporary life." -- MAGNET Magazine

Philadelphia/NYC band Pamphlets share the official video for their latest single today, taken their forthcoming album Somewhere In Zacatecas. The video for "Glove in Hand" launched earlier via Echoes & Dust HERE. It is now available to watch & share on YouTube HERE. 

The single "Glove in Hand" is available on all DSPs HERE. 

Lead track "Against The Forces of Nature" also premiered recently alongside an in-depth interview in which the band discusses their personal-is-political outlook via Atwood Magazine HERE. 

Singer/guitarist Jeremy Marquez (Brooklyn) and bassist Ben Griffin (Philadelphia) formed the project after connecting through a network of friends. The duo bonded over a shared admiration for contemporaries such as Preoccupations, Ought, and Protomartyr and classic groups like The Fall, Joy Division, and Bloc Party.

They honed a driving, high-energy punk sound and became notable for their infectious live performances. Their latest EP “Cause// Effect” ushered in a new phase for the band leaning towards a heavier sound and sentimental lyricism. With songs that attempt to speak about the chaos, uncertainty, and anxiety of our current moment, Pamphlets position themselves as an unabashedly political call to action.

Somewhere In Zacatecas will be available on CD and digital on January 29th, 2027 via Lost Future Records. Orders are available HERE. 

PAMPHLETS - LIVE 2026:

11/05 London, UK - Strongroom

11/07 Blackpool, UK - Bootleg Social 

11/08 Chelmsford, UK - Hot Box

11/09 Southampton, UK - Heartbreakers

11/10 Binche, BE - La Binchoise

11/11 Hannover, DE - La Binchoise

11/12 Wuppertal, DE - Talsounds

11/13 Leipzig, DE - Noch Besser Leben

11/14 Berlin, DE - Loge

Artist: Pamphlets

Album: Somewhere In Zacatecas 

Record Label: Lost Future Records

Release Date: January 29th, 2027

01. Skurtcore

02. Against the Forces of Nature

03. Patek Philippe

04. Spacesuits

05. La Di Dah

06. ...And The Urge to Bleed Out in the Snow

07. Spitting Glitter

08. Glove in Hand

09. Dog With No Bark

10. Steady Yourself

11. Collide-a-Scope

On The Web:

linktr.ee/pamphlets4u

pamphlets4u.com

lostfuturerecords.com

instagram.com/lostfuturerecords

lostfuture.bandcamp.com

"Genre-agnostic quartet with classic rock energy and brassy punk politics... channeling the raw energy of punk." -- Austin Chronicle

“ARTIST OF THE MONTH, March 2025: Infectious garage rock energy. A furious mix of ferocious guitars, a technical knock-out rhythm section, and lyrics that would make all of the legendary Beat Poets howl in approval.” — KUTX

“Noisy, fuzzy punk with a distinct pop sensibility… Full of energy and anger while also managing to be a lot of fun.” — New Noise Magazine

“Gus Baldwin has evolved into a bonafide heir to Texas rock’n’roll... The venom of 70s proto-punk, the chiming, desperate hooks of 80s power-pop, the psychfuzz of 60s, and the busted-heart of 90s indie rock.” — It’s Psychedelic Baby! Magazine

Austin artist Gus Baldwin shares the 70s Power-Pop tinged lead single, "Runnin' After Me" from his forthcoming solo mini-album today on all streaming services. The mini-LP Lingered Out will be available on 12" vinyl and digital in December. "Runnin' After Me" is available to hear & share on all DSPs HERE. 

Gus Baldwin is a 20-something singer/songwriter/ex-hippie/part-time punk hailing from Austin, TX. He splits his time constantly performing as a one man garage band, or with his band The Sketch, and as a frequent collaborator with other local acts. His music spans an array of time periods (80s power-pop, 60s psych, 70s proto-punk, 90s indie rock), and his forthcoming 5-song solo 12" mini-LP showcases the immensity of his talents in making all of those influences sound fresh and new. 

Lingered Out was written, performed and recorded by Gus on analog tape at his own Hollywood Studios between January and June 2026. It was mixed by Gus and Steven Arif Mashaka with Joey Oaxaca mastering in Los Angeles. 

Meanwhile, Gus Baldwin & The Sketch recently completed recording their forthcoming sophomore album, with more info to be announced soon. The band's 2025 debut album The Sketch was released to much critical acclaim: Austin NPR affiliate KUTX’s Artist of The Month in March, a front cover story in Austin Chronicle and Best Punk Band nomination, as well as personal invitations to support Jack White and tour with Bass Drum of Death in Fall 2025. 

Gus Baldwin & the Sketch was the Artist of the Month for March at local NPR affiliate KUTX. Read the interview HERE. The band was also featured in a front cover story in alt weekly paper the Austin Chronicle. Read the feature story HERE. 

Lingered Out will be available on 12" mini-LP and download on December 11th, 2026 via Permanent Teeth. Pre-orders are available HERE. 

On The Web:

linktr.ee/gusbaldwin

instagram.com/buddy_gus

gusbaldwin.bandcamp.com

permanentteeth.myshopify.com

Album: Lingered Out

Label: Permanent Teeth Records

Release Date: December 11, 2026

01. Rattlesnake Highway

02. Runnin' After Me

03. Heavy Metal

04. Dallas

05. Lingered Out

Artist: Gus Baldwin

Album: Gus Baldwin

Record Label: Permanent Teeth 

Album Release Date: October 24, 2025

01. Hello

02. Full Regalia

03. St. Sinner

04. Depression

05. West Korea

06. Cherrywood

07. Azie Morton

08. The Pesticide Song

09. Credit Card

10. Whatever Happened (To My Granddaddy’s Gun)?

11. Happy Mondays

12. Aesthetifuck

Artist: Gus Baldwin & The Sketch

Album: The Sketch

Label: Permanent Teeth Records

Release Date: January 31, 2025

01. Part I

02. Part II

03. Part III

04. Itch 

05. Steady on It

06. Luxury Television 

07. Slacker’s Prom

08. (She’s Gone) Arigato 

09. Beautiful Delilah 

10. What the Freaks Say

11. Sympathy for Sunday

“Packed with bright, jangly guitars and powerful, resounding vocals.” — New Noise 

“Moody ear-candy…Another great record from a local band in our midst proves pain begets the most vivid art.” – SF Bay Guardian / 48 Hills

"A candid exploration of love, regret, and personal growth wrapped in a melody that feels both relatable and raw." -- Static Multimedia

"Poignant, melodic indie rock in the key of mid-90s Matador Records. Fans of Helium and Bettie Serveert alike should check it out." -- Rock and Roll Globe

“Jeremy’s songwriting unfolds like a series of poetic Polaroids, while Erin’s vocals tear through them with emotion…It’s a vulnerable, beautiful mess and we’re all invited in.” — It’s Psychedelic Baby!

“Impactful and powerful blends of pop-punk, post-punk, indie rock, hints of garage, and plenty more, all coated with this sort of pop sensibility and riddled with personality throughout the entire thing.” — Buzzslayers

"If you're a sucker for a huge voice, then you're going to love cranking this." -- Austin Town Hall

San Francisco band 37 Houses share a new single today, "Jealous Love (Live)" culled from their forthcoming Live in Chicago EP. The 8-song EP was recorded during a particularly raucous set back in July 2026 on their summer tour supporting their sophomore album When and How It Happened. "Jealous Love (Live)" is available to hear and share on all DSPs HERE.

The band plays The Pour House in Oceanside, CA on November 14th. Additional tour dates will be announced soon. Tickets and info for all shows HERE.

Live in Chicago will be available on streaming services and purchase to download on November 20, 2026. Pre-orders are available HERE.

The band released their sophomore album, titled When and How It Happened in May 2026. The 12-song recording nods to the playful sounds of classic 90s Indie Rock while addressing subjects of unusual romantic entanglements. Hear and share When and How It Happened on DSPs HERE.

MAGNET Magazine recently premiered the single "Helium" HERE. 

Watch the official video for the original album version of "Jealous Love" on YouTube. Watch/share the video for "It Stays With Me" on YouTube.

37 Houses has always been a journal of lead singer Erin Sydney and guitarist Jeremy Rosenblum’s marriage. Started as a way to process going into lockdown four months after getting married, the music has become a running expression of the love and pain they experience together. When and How it Happened is the next chapter in that story: written over 18 months about the process of learning to be, and not be, polyamorous in a developing marriage. 

The songs were written as the events transpired and they capture the raw emotions of deeply personal moments. Neither person knew how this would end while it was being written. Helium, about a few days spent with a girlfriend, and a few months dealing with the feelings it created, captures that angst and grief. Album opener Shadow Puppets sings an apology, an acknowledgement, and a resignation of hope, while maintaining the fierce undercurrent of unconditional love. Acoustic tracks Unloveable and Love Song contrast each other; one song about the darkest moments, and the other an expression of neverending love to hold onto when things feel overwhelming. This album also represents the first time Erin Sydney composed songs on the album, with Event Horizon and Only a Smile Remains giving voice to her struggle, her pain, and her ability to grow through it all.  

When it came time to record, the band decided it needed to be as raw and urgent as the songwriting. Renting a house in the mountains of Colorado, they set up the band live and recorded all the instrument tracks in just 4 days. The recording captures exactly what happened between the band members in a whirlwind of creative expression. It is a loving tribute to the early days of rock and roll, favoring cranked amps and feel over perfectly placed hits and polished layers. And because 37 Houses is always a product of the house Erin and Jeremy share, the vocals and acoustic tracks were once again recorded in their bedroom. 

This is a record about a discreet moment and how you face it. This is a record capturing a discrete moment in the history of the band. This is When and How it Happened.

When and How It Happened is available on Limited Edition LP and digital on May 29th, 2026. Orders are available HERE. 

37 HOUSES LIVE 2026:

11/14 Oceanside, CA - Pour House

Artist: 37 Houses

Album: Live in Chicago

Label: self-released

Release Date: November 20th, 2026

01. Strangers

02. Mamma Mia

03. Honesty is Everything

04. Undertow / Helium

05. Jealous Love

06. Event Horizon

07. Shadow Puppets

On the Web:

37houses.com

instagram.com/37housesband

37houses.bandcamp.com

Album: When and How It Happened

Label: self-released

Release Date: May 29th, 2026

01. Shadow Puppets

02. Helium

03. Strangers

04. Unoveable

05. Event Horizon

06. Misery

07. Honesty is Everything

08. Eye For an Eye

09. Only a Smile Remains

10. Loss For Words

11. Love Song

12. If You See My Baby