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  • News
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    • And So I Watch You From Afar
    • Black Moth
    • Blis.
    • Boris
    • Helms Alee
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    • Indian Handcrafts
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'Brown Acid' series of rare 60s-70s pre-metal singles drops track by Luke & The Apostles from the Eighth Trip 

"So rare that diehard fuzz junkies say you'd have a better chance of winning the lottery than finding a physical 45 rpm single by one of the bands featured on their latest installment." -- Dangerous Minds

"Will do for hard rock, proto-metal and heavy psych what Nuggets did for garage rock, and bring it to a wider audience of collectors and music fans." -- The Guardian


The forthcoming eighth edition of the popular compilation series featuring long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid: The Eighth Trip is set for release, fittingly, on April 20th, 2019. Hear and share a new track, "Not Far Off" by Luke & The Apostles shared by Ultimate Classic Rock HERE. (Direct YouTube HERE.)


The lead single "School Daze" by Attack was previously premiered via YouTube HERE.

The Brown Acid series is curated by L.A. label RidingEasy Records and retailer/label Permanent Records. 

About Brown Acid: The Eighth Trip:

This Trip comes straight at ya with an all out attack, quite literally. The residents of St. Clair Shores should consider themselves lucky to have been so close to the greatness of Attack!  “School Daze” kicks out the jams Detroit-style, but has enough flair and style to have our main man Jimi rolling over in his grave. Another prime example of why Detroit is known as Rock City!

Speaking of rock, White Rock will knock your stank-ass socks off with their 1972 burner “Please Don’t Run Away”. This 45 was privately released by this Houston-based band that reportedly played shows with Josefus, Stone Axe, and Purple Sun. And it was basically unknown until it surfaced at the Austin Record Convention in 2018!  The fact that there are still completely unknown records out there to be discovered never ceases to amaze us.

They don’t say “Don’t Mess With Texas” for nothin’! Riverside called Austin home way before anyone was worried about keeping it weird. This two-sider from 1974 rips from front to back. It’s also exclusively available here and is virtually unknown. Go ahead, try to look for it anywhere. Currently, there’s no proof anywhere online that it exists.

From our neighbor up north, we bring you Luke and the Apostles! Don’t be fooled by the name, this ain’t no Xian group, even though this 45 is of biblical proportions.The flip of this single “You Make Me High” is a Faces-esque ballad of the highest caliber that will move you to tears if you’re not careful with it, but “Not Far Off” isn’t about moving you emotionally; it’s about moving you physically. Fuck jam? We think so. The Doors and Elektra Records’ producer Paul Rothchild called the Luke and the Apostles LP the “greatest album [he] never got to make”. 

The lyrics to this 1977 single on Vacation Records are about as boneheaded as it gets. Hard rock songs from working class men about working hard and letting loose is a common theme in the Brown Acid realm, and “I Need My Music” by Mine Hill, New Jersey’s Tourists, is yet another great one to get you through the work week.  I think we can all agree: we need our music too...among other things!

Ohio strikes again. This time a bit later than the other Buckeye State singles we’ve comped, but no less bangin’! On the Chance record label, the Bartos Brothers Band is billed as Gambler, but post-release, the band covered at least some of the copies with stickers that corrected this.  There’s very little information about the Bartos Brothers Band online, and as of this writing, the release date is incorrect on Discogs and the Popsike hit very wrongly lists the genre as “Glam/Hair Metal” from the 1980s. We’re stoked to be compiling this single for the first time ever and to be setting the record straight.

And yet again, Ohio brings the thunder! We brought you the B-side of Inside Experience’s sole 45 back on the Third Trip and now we exhaust the band’s output by presenting their especially psychedelic cover of Cream's "Tales of Brave Ulysses”. The band pressed and sold out of 500 copies of this record back in 1968 thanks to some airplay on Detroit’s CKLW, but they never recorded again. However, Inside Experience’s lead guitarist and singer, Marty Soski, went on to play in Lance (as heard on the Fifth Trip) and two metal bands which you will be hearing sooner than later...

Karma, slightly better known as The Contents Are, released an LP and a 45 in 1967 and then followed up with their swan song “New Mexico” in 1969. The single was oddly released under Karma on the Onk Enterprizez label with “N.S.U.” as the B-side and on Rok Records as the flip to “Future Days” as The Contents Are. Apparently, Mercury Records bought the rights to the Rok 45 with the intention to release it nationally, but never actually got around to it. Their loss!

Obviously we don’t need to go into how much great music Memphis, Tennessee has brought us over the years, but Moloch doesn’t usually get mentioned when we’re talking about the “Home of the Blues” and the “Birthplace of Rock and Roll.” Maybe we should change that. Moloch played with The MC5 and The Stooges and recorded an LP in 1969 for the Stax subsidiary, Enterprise Records. Although the band made a great blues rock record, it sadly didn’t get the love it deserved and the band folded. Moloch guitarist, Lee Baker, reformed the band with a slightly different line-up and released this 45 in 1972 against great odds. It too was unfairly overlooked...until now.

While we’re still talking about Memphis, y’all ever heard of this guy, Elvis Presley? Apparently, he was kind of a big deal and popularized a song called “Heartbreak Hotel” back in 1956. That’s cool and all, but damn us if we don’t dig Grump’s 1969 take on the song a whole hell of a lot more than the King’s version. Maybe that’s sacrilege, but nothing’s sacred when it comes to Brown Acid.

About the Brown Acid series:

Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century -- particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins -- often hoarding them in private collections, or selling at ridiculous collector's prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on 
Brown Acid. 

Lance Barresi, co-owner of L.A./Chicago retailer Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the growing compilation series. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that's hard to believe have remained unheard for so long. 

"I essentially go through hell and high water just to find these records," Barresi says. "Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we're using for
Brown Acid is best for everyone involved," rather than simply bootlegging the tracks. When all of the bands and labels haven't existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success. 

"There's a long list of songs that we'd love to include," Barresi says. "But we just can't track the bands down. I like the idea that Brown Acid is getting so much attention, so people might reach out to us."


Brown Acid: The Eighth Trip will be available everywhere on LP, CD and download on April 20th, 2019 via RidingEasy Records. Pre-orders are available for digital (with immediate download of the first single) at Bandcamp, physical pre-orders at RidingEasy Records. 



Artist: Various Artists
Album: Brown Acid: The Eighth Trip 
Label: RidingEasy Records
Release Date: April 20th, 2019

01. Attack "School Daze"
02. White Rock "Please Don't Run Away"
03. Riverside "Wayfarer"
04. Luke and The Apostles "Not Far Off"
05. Tourists "I Need My Music"
06. Bartos Brothers Band "Gambler"
07. Inside Experience "Tales of the Brave Ulysses"
08. Karma "New Mexico"
09. Moloch "Cocaine Katy"
10. Grump "Heartbreak Hotel"

On The Web:
www.ridingeasyrecords.com




02/21/2019

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Greek rockers BUS premiere "Into The Night" via Revolver Magazine from forthcoming RidingEasy Records debut  

"A fantastic combination of crazy fun rock that also happens to be stupid catchy." -- Metal Injection

"BUS is pure rock'n'roll through and through, conjuring up influences that range from Judas Priest to Deep Purple to Sabbath to prog in a way that is decidedly old school and familiar, but never straight-up derivative." -- Revolver Magazine

"The what-if-the-Beatles-were-also-Primus-but-Primus-were-the-Melvins-and-also-Kyuss-is-there-because-that's-fun bounce of "I Buried Paul."...(BUS) confidently deliver hooks that are non-overbearing earworms -- the kinds of songs you don't realize are in your head until they already are." -- The Obelisk


Athens, Greece quartet Bus The Unknown Secretary (aka BUS) premiere a new track from their forthcoming album on RidingEasy Records today via Revolver Magazine. Hear and share "Into The Night" HERE. (Direct YouTube.)

Metal Injection recently shared the stomping anthem "You Better Come In, You Better Calm Down" HERE. (Direct YouTube.) The Obelisk recently shared "I Buried Paul" HERE. (Direct YouTube.)

From the opening notes of Never Decide, you'll know it's going to be a wild funhouse ride. It doesn't sound like just four people, it sounds like a mob of wild-eyed lunatics on the expressway to your skull. And, you're not gonna know what the band's name means, don't worry about it. 

Heavy bands typically don't know how to make music fun. We're not talking about goofy, novelty rock, which BUS certainly is not. We're talking clever, spirited and anthemic rock that doesn't get bogged down in trying to sound menacing. Never Decide is a multifaceted album in the vein of classic hitters like The Hellacopters, Alice Cooper Band, Judas Priest, Iron Maiden and Orange Goblin. 

"The story of the album expresses the psyche of a person in a dead end and his life is introduced into obsessive rhythms, more personal and random," explains vocalist/guitarist Bill Politis. "There is no happy end here, but the questions remain: Door A or Door B? Time to change or time to die, Never Decide!"

The album opens as if we're in the studio with the band listening to playback for the first time. There's a chirping test tone and someone starts counting in, "one, two, three..." before it suddenly grinds to a halt. Then suddenly the swirling guitar riff of the pummeling anthem "You Better Come In, You Better Calm Down" launches everything into the stratosphere. The guitars march in lockstep as swinging drums keep it all rolling at furious pace as the vocal chant of the song's title grows into a massive group chant in harmony. Think Uriah Heep's "Easy Livin'" meets Kiss' "Rock and Roll All Night" -- here's another big, blazing anthem for the ages. "I Buried Paul" is the sort of fun, theatrical album track no one makes anymore, not since the days of the Alice Cooper Band. "Lucifer" takes things several shades darker, turning in a dramatic ballad launched by haunting piano chords and led by sinister, sneering vocals sounding something like Ozzy meets Johnny Rotten slowly building to its epic conclusion in double time with rinigng harmony guitar leads. "Evil Eyes" and "Moonchild" return the proceedings to the anthemic, pop-laced vibe, replete with major-minor chord shifts and vocal/guitar harmonies galore. 

Never Decide was recorded in just 5 days in February 2018 with multitalented engineer and band's beloved friend John Vulgaris at Electric Highway Studios in Athens, Greece. The entire band -- drummer Aris Fasoulis, bassist Spiros Papadatos, and guitarists Fotis Kolokithas and Politis --recorded the instrumental tracks live in 3 days, reserving the last 2 for vocals. Over the 2 months that followed Vulgaris and the band fine-tuned the mix into the subtle and clever masterwork you have before you. 

BUS formed in Athens in 2011, releasing two EPs and a full length The Impious Tapes, followed by The Cross EP (2014), and The Unknown Secretary LP in 2016. During that time the band has toured extensively throughout Greece and in neighboring nations. The release of Never Decide will see them expanding that touring radius considerably. 

Never Decide will be available on LP, CD and download on March 1st, 2019 via RidingEasy Records. Pre-orders are available HERE. 



Artist: BUS
Album: Never Decide
Label: RidingEasy Records
Release Date: March 1st, 2019

01. You Better Come In, You Better Calm Down
02. The Hunt
03. I Buried Paul
04. Lucifer
05. Moonchild
06. Into the Night
07. Evil Eyes













On The Web:
facebook.com/bustheunknownsecretary
ridingeasyrecs.com




02/15/2019

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Valentine's darkness: Quin Galavis streaming album Victim/Non-Victim early, Austin songwriter's 1st of 3-album series for 2019 


"A record marked by ache and vulnerability, heartbreak and regret. The music is sometimes dreamy, sometimes noisy and shoegazey, and often veers into the realm of power pop, but coming from an artist in search of healing. It’s fun to listen to, yet deeply affecting." -- TrebleZine

"Jam of the Week: Are you ready for an urgent jam that will get all up in your brain and will live rent free?" -- CvltNation

"An emotionally-charged vocal over a musical setting that recalls Guided By Voices at its most exhilarating... Galavis takes us on an emotional and musical journey that doesn't provide easy answers or easy ways out." -- PopMatters


Austin, TX songwriter Quin Galavis is streaming in its entirety his forthcoming album Victim / Non-Victim, Pt. 1 today via TrebleZine. Hear and share Victim / Non-Victim, Pt. 1 HERE. (Direct Soundcloud.)

PopMatters recently shared the heart wrenching "Our Loved Ones" HERE. And, Galavis shared an eerie POV video for the lead single "Burn The Room" via CvltNation. Watch & share HERE. (Direct YouTube.)

Quin Galavis returns February 15th with another brilliant album of emotionally raw and revealing music that deftly leaps between heavy experimentalism and catchy melodies. Victim / Non-Victim, Pt. 1 launches a 3-album series to be released throughout 2019 on Super Secret Records. 

"This record I wrote after an intense period in my life," Quin explains. "I decided to approach this record as a way to confront all the things that created the feelings and characters in my double album My Life In Steel And Concrete and in the process confront all the things that has driven me to art and self destruction, so where MLISAC was expressing a sense of uncertainty and resignation, this record is truly a way to find out why I am the way I am and what abuses I have been through and the abuse I deliver on others. So, I am going to have to spread it out in three records! These records aren't just going to be a cathartic thing like MLISAC, but more as a purge of my old life and finally a reset."

The album includes many wonderful eclectic players on the songs; Graham Low (A Giant Dog), Victor Gutierrez (Impalers,Vaaska), Natalie Ribbons (TeleNovella, Agent Ribbons), Jason Chronis (Voxtrot, TeleNovella), Jenny Arthur (Lung Letters, The Dead Space) and many more. 

Quin Galavis has built a strong reputation for producing a variety of high quality music via acclaimed
bands including Nazi Gold and The Dead Space, and through his previous solo work. Unpredictable and experimental from record to record and from live performance to live performance, Quin Galavis continues to challenge himself and his audience to reconsider and subvert what it means to be an artist and musician.

Victim / Non-Victim, Pt. 1 will be available on LP, CD and download on February 15th, 2019 via Super Secret Records.



Artist: Quin Galavis
Album: Victim / Non-Victim
Label: Super Secret Records
Release date: February 15th, 2019

01. Theme 1
02. Our Loved Ones
03. Not Aware
04. It's Golden
05. This Real Home
06. Burn The Room
07. What It Takes
08. Thunder
09. Anthem
10. This Water


On The Web:
quingalavis.com
supersecretrecords.com
facebook.com/quin.galavis
twitter.com/QuinGalavis
instagram.com/quin_galavis/

02/14/2019

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Woolly Bushmen share first track from upcoming album via PopMatters, blazing garage soul R&B trio announces 3rd album 'In Shambles' 

"Kicks like a mule, grooves like vintage shambolic garage rock and kills with the in-your-face attitude of Jerry Lee Lewis. Ultimately, this trio takes listeners on a wild and thrilling ride, during which band and fan alike stand at the precipice of order and chaos, the very intersection that defines rock 'n' roll." -- PopMatters


Garage rock trio The Woolly Bushmen share the lead track from their forthcoming 3rd album today via PopMatters. Hear and share "What Yer Doin' To Me" HERE. (Direct Soundcloud and YouTube.)

Formed in early 2011 and based out of Winter Park, Florida, The Woolly Bushmen have managed to combine 1960's rock and roll with 1950's rockabilly and a dash of soul, forming their own unique genre of all original crowd-rocking songs. These young musicians have captured the respect and admiration of seasoned musicians, some icons in their own right, that are twice their age while grabbing every audience by the scruff of their necks and whipping them into a dance frenzy. Teenagers, middle-agers, old-agers, male, female, black, white, green, purple, The Woolly Bushmen tend to appeal to everyone without compromising their style and musical integrity...mass appeal without losing cult appeal...they do their thing and it works! Audience comments run from, "where did this band come from!?", "how did we not know about them before!?", "These guys have IT!", and very often, "the best band I've seen!"

A typical Woolly Bushmen show will see lead singer, Simon Palombi, switch from vintage Farfisa organ to guitar, whilst, Jacob Miller, switches from bass to guitar allowing the band to play two different sets in one, much to the surprise and delight of the audience! The songs of The Woolly Bushmen are based around catchy organ and guitar riffs with infectious choruses that sound straight out of the charts of the late 1950's and 1960's. These all original songs give you, the listener/audience, the sense that you've heard them before...only, you haven't unless you've seen The Woolly Bushmen or listened to Tampa, Orlando, St. Louis, and Philadelphia college/independent radio. The sole purpose of The Woolly Bushmen's music is to get people dancing...and it works every time!

Leave your angst at home, nothing heavy or moody here! One reviewer said, "It's like Buddy Holly fronting The Troggs." Or, "Jerry Lee Lewis on crack" that is the unusual and unique mix of 1950's and 1960's at its best.

Over the past seven years, The Woolly Bushmen have played many notable shows with iconic acts like, Southern Culture on the Skids, The Coathangers, The Black Lips, King Khan, Ty Segall, The Beat, The Fleshtones, Schizophonics, Gringo Star, and many more, as well as frequently being invited to play festivals. They currently do routine tours of Europe and the United States.

From the beginning, The Woolly Bushmen have rarely had to hustle for gigs...shortly after they emerged from their garage studio, they were and continue to be asked to play more gigs than they can handle. Both, The Orlando Weekly and The Orlando Music News have voted them Best New Band, Band of the Week, and Best Orlando Release of 2012...you name it. The Woolly Bushmen have repeatedly been invited to play live on multiple radio stations as well as having regular radio airplay.

In July 2011, The Woolly Bushmen released a demo EP entitled, "Here Cometh The Woolly Bushmen" on cassette tape and sold out in less than 2 months! The band's eponymously titled full length CD was released in July 2012 at a live show in Orlando that saw the parking lot filled with fans unable to get in to the packed club, yet, stayed on site because it was the place to be! The CD received great reviews and has sold thousands without any promotion other than gigs! The band's merchandise, t-shirts, bumper stickers and CD's are sold out as soon as a new run is produced. They released a well-received seven-inch record in April of 2013. All three releases have seen airplay on several radio stations on the east coast.

In 2015 The Woolly Bushmen released their first properly yet self-produced LP Sky Bosses on their self run label Chesterwick Records. The group recently released their latest LP Arduino on L.A.'s Pig Baby Records, produced by Rick Miller of Southern Culture On The Skids. 

The band's third full length, In Shambles will be available on LP, CD and download on May 10th, 2019 via Pig Baby Records. Pre-orders are available HERE. 


THE WOOLLY BUSHMEN LIVE 2019:
05/24: New York, NY - Hanks Saloon
05/25:Cleveland, OH - Stellas
05/26: Detroit, MI - Outer Limits
05/27: Chicago, IL - Empty Bottle 
05/28: Milwaukee, WI @ TBA
05/29: Ft. Wayne, IN - Brass Rail
05/30: St. Louis, MO - Sinkhole
05/31: Atlanta, GA - Star Bar
06/01: Memphis, TN - 2 shows  





Artist: The Woolly Bushmen
Album: In Shambles
Label: Pig Baby Records
Release date: May 10th, 2019

01. What Yer Doing To Me
02. Paid
03. Fine
04. Goin' Out West
05. Let It Be Known
06. Weeping Eyes
07. Dense
08. I Pushed You
09. Little Bit of Life
10. The Noose
11. Fire Tonight










On the Web:
facebook.com/Woollybushmen
thewoollybushmen.bandcamp.com
pigbabyrecords.com





02/13/2019

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ZIG-ZAGS share lead track "Punk Fucking Metal" from forthcoming album on RidingEasy Records 


"Sounds like Kill ‘Em All-era Metallica meets Motorhead but with claustrophobic garage rock production. It’s a real ripper." -- Brooklyn Vegan

"A potent dose of galloping, cartoonishly vicious rock'n'roll -- material previously perfected by bands like Motörhead and Megadeth." -- Pitchfork

"Noisy, aggressive, and raucous music that careens between garage rock and heavy metal like an amusement-park ride." -- Stereogum


L.A. punk-metal trio Zig-Zags announce their fourth album, and debut on RidingEasy Records today, sharing the lead single at Brooklyn Vegan. Hear and share "Punk Fucking Metal" HERE and via YouTube, Bandcamp or Spotify. 

"Everyone puts photos of Sid Vicious up on Instagram. The other night I watched D.O.A, the documentary about The Sex Pistols' first and only U.S. tour. In it, Sid's a mess, he and his annoying girlfriend. And they're the only ones who get interviewed! Maybe John Lydon and Steve Jones (not to mention the drummer) didn't want to participate. Maybe Nancy made Sid do it. But it whatever the case, I didn't wanna watch it. The rest of the band is crushing! They sound just like the record! As a musician in a touring band, I can't stand Sid Vicious. He's cartoon character with a Swastika shirt, nodding off while everyone else loads the gear. I don't care if it's punk -- you still gotta be able to play."  - J. Maheu, lead vocals and guitar for Zig Zags.

8 years, 7 singles, 3 albums, 3 bass players, 2 drummers and God knows how many shows later - Zig Zags has continually evolved, mutated, transitioned and transformed, rising again and again, like a phoenix emerging from the flame. 

The addition of the newest member of our triumvirate - multi-instrumentalist, designated bassist (and longtime Zig Zags sound engineer) Sean Hoffman - recalls those golden moments past, when destiny stepped in...like when Neil Peart joined Rush or Bob Rock teamed up with Metallica. 

In short -- the circle is now complete, the cornerstone has been set and the winged serpent rises --once again. 

Some say it's luck, but really, it's about patience. A band is like a relationship. You have to know when to push, and when to hold back. You gotta listen and you gotta learn. We look to the masters. Like Henry and Glenn, we've gone from drinking hooch to pumpin' iron. We quit smoking. Two of us are married, for chrissakes! After 2017's brutal European tour, which left us coughing blood and taking names, we sought out Lemmy's Doctor (Feel Good), who diagnosed us with,"Rock'n'roll Pneumonia".  Like Lemmy, we were pushing too hard. And if you push too hard you'll end up in an apartment above The Rainbow Room, playing video poker on Christmas Eve (which is also your birthday)...but that's another story. 

The thing is - we ain't dead yet. Every album we record, every song we write - has to be faster, harder and heavier - than the one before. And that's why this new record is all about upping the ante and raises the stakes, and why it marks the dawn of a new day...and a new era. 

This album, our first with RidingEasy, was written over the last year. It's reveals our longtime roots, our enduring love (all hail!) to the early punk of our hero(ines) Dead Moon and The Wipers (forever!) but friends, don't be misled...this is a METAL record - of the true blue, headbangin', riff-ridin', no-bullshit - kind. 

Listen here - it ain't easy to play guitar and sing at the same time! But the more you focus, the more you get your head in the game, the more you push (yourselves and each other), the better it all gets. And the songs, they thank you for it. They get tougher, wilder and more raw, the more you strip them down. 

They'll Never Take Us Alive will be available on LP, CD and download on May 10th, 2019 via RidingEasy Records. Pre-orders are available HERE. 


ZIG-ZAGS LIVE 2019:
05/03 London, UK @ Desertfest
05/04 Berlin, DE @ Desertfest
05/06 Prague, CZ @ Academy of Fine Arts
05/07 Leipzig, DE @ Ilses Erika
05/10 Karlsruhe, DE @ Alte Hackerei
05/11 Milan, IT @ Sound Music Club
05/12 Cuneo, IT @ TBA
05/14 Valence, FR @ Mistral Palace
05/15 Lyon, FR @ Trokson
05/16 Paris, FR @ Supersonic
05/17 Rotterdam, NL @ V11
05/18 Lohr am Main, DE @ Umsonst und Drinnen Festival
05/19 Eindoven, NL @ Dynamo
05/20 London, UK @ The Shaklewell Arms
05/21 Manchester, UK @ Soup Kitchen
05/22 Margate, UK @ Elsewhere 
05/23 Liege, BE @ Rockerill
05/25 Groningen, NL @ Vera
04/19 Oceanside, CA @ Pourhouse
04/20 Los Angeles, CA @ Psycho Smokeout Festival
08/03 Schierling, DE @ Labertal Festival
08/08 Santarem, PT @ InStr
08/09 Moldeno, PT @ Sonic Blast Moldeno



Artist: Zig-Zags
Album: They'll Never Take Us Alive
Label: RidingEasy Records
Release date: May 10th, 2019

01. Punk Fucking Metal
02. Killer of Killers
03. Fallout
04. No Way Out
05. Ms 45
06. The Shout 
07. Why I Carry a Knife
08. They'll Never Take Us Alive
09. Nothing To Do
10. God Sized


On the Web:
facebook.com/zigzagsmusic
zigzags.bandcamp.com
ridingeasyrecs.com







02/11/2019

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Bay Area thrash revivalists HELL FIRE share new track "Warpath" from RidingEasy Records debut  


"Lots of thrash bands do their best to sound retro, but Hell Fire manage to sound classic." -- Kerrang!

"Hell Fire rocks harder than Stonehenge with the fury of Motorhead!" -- CvltNation


San Francisco quartet Hell Fire premiere a new track from their forthcoming third album Mania today via CvltNation. Hear and share "Warpath" HERE. (Direct YouTube.)

Kerrang Magazine recently launched title track "Mania" HERE. (Direct YouTube.)

Mania is the band's first proper album on RidingEasy Records, following the label's worldwide reissue of the band's self-released 2017 sophomore breakout Free Again, released on January 18th. 

Formed in recent years in San Francisco, though it may seem more likely that they hatched fresh out of a time travel portal from the mid-80s Bay Area thrash scene, Hell Fire have the classic look and sound of modern metal's halcyon days. Hell Fire's sonic assault warmly condenses elements of influences like Angel Witch, Iron Maiden, Rainbow, Exodus, Metallica, Riot, Virtue and Diamond Head into 10 tracks of headbanging MUYA anthems. 

The free-wheelin' creativity and infectious vitality of the 80s Bay Area thrash scene is a moment forever locked in time, but its spirit lives on in the band's galloping guitar picks, soaring harmonies and blistering rhythms. Hell Fire's perfect hybrid of NWOBHM theatrics and American thrash attitude.

"Thematically, everything on the album comes from personal experiences," says vocalist/guitarist Jake Nunn. "From the highs of partying together out here in Oakland, or the nostalgia of being a kid learning Zeppelin on a beat up guitar, to the extreme lows of isolation, personal trauma, and mental illness. Sonically we want our records to sound like you're standing in front of the stage at a show. The power of Marshall stacks in front of your face, drums at your ear level, thunder of the bass and feeling the presence of the room."

Hell Fire achieves just that - and then some - on Mania. The album was recorded in Grass Valley, California at engineer Tim Green's Louder Studios. Having also recorded their previous album Free Again with Green, the sessions proved highly productive for the band since they were already familiar with the setting and able to expand upon ideas they hadn't been able to explore previously. 

"We're more excited about Mania then anything we've ever done," Nunn says. "We were able to spend a bit more time arranging the songs and writing from a more personal perspective lyrically. We came out of this recording feeling much more accomplished with our performances and couldn't be more happy for this to be our first release with RidingEasy Records."

Hell Fire began when bass player Herman Bandala moved to San Francisco from Tijuana, Mexico with the hopes of forming a heavy metal band. Herman posted an ad to Craigslist which caught the attention of guitarist Tony Campos. They bonded over a mutual love of 80s thrash and NWOBHM, which was a hard thing to find in the Bay Area scene at the time. The lineup slowly morphed over time, finally solidifying with vocalist Jake Nunn also taking up second guitar duties and drummer Mike Smith joining prior to 2017's Free Again. 

Mania will be available on LP, CD and download on March 29th, 2019 via RidingEasy Records. Pre-orders are available HERE.

HELL FIRE LIVE 2019:
03/15 Portland, OR @ High Water Mark
03/16 Seattle, WA @ The Funhouse
03/29 San Francisco, CA @ Thee Parkside - Album release show
04/05 Reno, NV @ Dead Ringer
04/06 Salt Lake City, UT @ The Loading Dock 
04/07 Denver, CO @ Hi Dive
04/10 Oklahoma City, OK @ TBA
04/11 Dallas, TX @ Ridglea Theater
04/12 Austin, TX @ Lost Well
04/13 Houston, TX @ Hell's Heroes Festival
04/14 San Antonio, TX @ Paper Tiger
04/17 El Paso, TX @ TBA
04/18 Phoenix, AZ @ Rogue Bar
04/19 Oceanside, CA @ Pour House
04/20 Los Angeles, CA @ Psycho Smokeout Festival 



Artist: Hell Fire
Album: Mania
Label: RidingEasy Records
Release Date: March 29, 2019

01. Warpath
02. Mania
03. On The Loose
04. Born To Burn
05. Transcending Evil
06. Lashing Out
07. Isolator
08. The Dreamer
09. Knights of The Holy
10. Masochist


On The Web:
hellfiremetal.com
hellfiremetal.bandcamp.com
instagram.com/hellfiremetal
ridingeasyrecs.com








02/08/2019

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Talkhouse shares Spoony Bard (L.A. Beat Scene meets electronic, jazz & avant-garde hip-hop) single from Old Friends album out in April  

"I'm trying to blur the line between rap's grandiosity and De La Soul's parody of it." --  David Nord, Talkhouse

"A dizzying, sometimes disorienting sound that will garner comparisons to Dälek, Flying Lotus, Aphex Twin and others. Ceaseless in its sonic exploration, restless in its vision and tireless in its sense of invention." -- PopMatters


NYC producer and musician spoony bard (lowercase, please) shares the first single today from his forthcoming sophomore album Old Friends via The Talkhouse. The track, "Ego Trippin' Part 99" is inspired by De La Soul's classic "Ego Trippin' Pt. 2" but infused with spoony bard's unique collision of influences. Hear the track and the musician's revealing explanation of its origins via Talkhouse HERE. (Direct Bandcamp and Spotify.)

spoony bard's 2017 debut album dweeb is available to hear & share via Bandcamp & Soundcloud.

Like the video game garbled insult of its namesake, spoony bard is the result of a cultural collision as well as an honest and self-deprecating exploration of life. The hybrid of L.A. beat scene, electronic, jazz and avant-garde takes a fresh approach to musical soul-bearing with compelling sonic textures and introspective lyrics. spoony bard combines hints of Flying Lotus, Dalek, DJ Premier, Herbie Hancock, Aphex Twin and more.

spoony bard is the alter-ego of musician David Nord. Originally a jazz composer/guitarist, Nord's equal interest in hip-hop and electronic sounds brought about an evolution in his work, leading him to merge these styles and explore the possibilities of an alternate musical vocabulary. Old Friends follows Nord’s 2017 debut Dweeb, which was featured by Bandcamp Weekly and received considerable press praise. For this album, Nord took a turn backward.

“It’s titled Old Friends because on a lot of these songs I had old friends in mind,” Nord says. “Old friends also means my old musical friends - guitar playing, some melodies I wrote a long time ago. This album has a lot more live instrumentation on it. There’s still plenty of synths, but I did a lot more playing and less sampling.” 

The album opens with a cascade of notes from electric piano, guitar and what sounds like a droning sitar on “Ego Trippin’ Part 99.” It sounds almost like a lost Mahavishnu Orchestra track until sampled voices, syncopated percussion and Nord’s rhymes take over the proceedings. His style of rapping is so conversational and intimate, it almost sounds like it’s a man’s unguarded thoughts being telegraphed to the listener. “Levitate Me Later” is a glitch-funk blast, while “Areia” takes a smoothed-out approach with gliding sung vocals and Giorgio Moroder freakout synth soloing. “Extralewd 1” echoes Aphex Twin’s best sliced’n’diced grooves. Throughout, it’s a delightfully unhinged and explorative album that’s impossibly laid back and frenzied at the same time. 

Old Friends will be available for download on April 5th via Bandcamp, iTunes, Spotify, Apple Music, etc. 



Artist: spoony bard
Album: Old Friends
Record label: spoony bard music
Release date: April 5th, 2019

01. Ego Trippin' Part 99
02. Levitate Me Later
03. Dizziness of Freedom
04. Extralewd 1
05. Megalixir
06. Areia
07. Extralewd 2
08. Note To Self
09. Limbo
10. Far Flung 











On the Web:
spoony-bard.bandcamp.com
facebook.com/spoonybardmusic
twitter.com/spoonybardmusic








02/08/2019

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"Off-kilter" Canadian trio Tunic stream forthcoming new album early, share new tour dates 

"Off f**king kilter but totally on point!" -- CvltNation

"A quick-moving monument to disaffection. Shades of post-hardcore and noise rock come together in the spirit of cooperative aggression." -- The Obelisk

"Their own unique brand of noise rock and hardcore... Eleven tunes of feedback-laden mastery laid over churning blows of drums and bass." -- Pure Grain Audio


Canadian noise rock trio Tunic are streaming their forthcoming album in full today ahead of release via Ghost Cult Magazine. Hear and share the full album, Complexion HERE. (Direct Soundcloud.)

Tunic launches a European tour next week, followed immediately by extensive North American dates in Spring 2019. Please see all dates below. 

The band recently premiered the hallucinogenic and oddly disorienting video for "Dry Heave" via The Obelisk HERE. (Direct YouTube.) CvltNation previously launched lead single "Nothing Nothing" HERE. (Direct Bandcamp.) Pure Grain Audio hosted "Blessed" HERE. 

Tunic is born of spite. After years of touring someone else's bass lines across the globe, David Schellenberg was told he wasn't good enough. So he did the only logical thing: buy a guitar, quit your long-time band, and abandon everything you think you know about music. Armed with no skill and a blissfully ignorant embrace of discordant noise, Schellenberg started crafting songs, quickly enlisting childhood acquaintance Sam Neal on drums and roommate Rory Ellis on bass. 

Over the past 4 years and half a dozen DIY releases, Tunic has managed to unleash and tame their unique blend of noise rock and hardcore. Relentless touring has taken them across Canada, Europe and the States, filling clubs, basements, and abandoned prisons with noise. The band released the single Teeth Showing on Toronto's Buzz Records in 2018, which they toured with new drummer Dan Unger.

Tunic's debut album Complexion was recorded in six days in their hometown of Winnipeg, Manitoba with Montreal-based engineer and producer Jace Lasek (Suuns, Land of Talk, Wolf Parade). Complexion picks up where previous releases left off; 11 songs of feedback-laden filth laid over churning blows of drum and bass. Harsh verses about hurting those you never meant to hurt; choruses that sever ties where you never thought you had to. This is unconventional hardcore. This is broken indie rock. This is naïve art.

Complexion will be available on LP, CD and download on February 8th, 2018 via Self Sabotage Records (Pre-order at Big Cartel-Self Sabotage).

TUNIC LIVE:
Feb 11, 2019 - Magasin 4, Brussels BE
Feb 13, 2019 - Le Cirque Electrique, Paris FR
Feb 14, 2019 - Raymond Bar, Clermont Ferrand, FR
Feb 15, 2019 - Le Farmer, Lyon, FR
Feb 16, 2019 - Joe Koala, Bergamo, IT
Feb 18, 2019 - Freakout, Bologna, IT
Feb 19, 2019 - Osteria Al Castello, Chiuppano, IT
Feb 20, 2019 - Magazzino Paralello, Cesena, IT
Feb 21, 2019 - Eterotopia, San Giuliano Milanese, IT
Feb 22, 2019 - G.O.B., Viareggio, IT
Feb 24, 2019 - 100-as Klub, Budapest, HU
Feb 25, 2019 - Dvorana Gustaf, Maribor, SLO
Feb 26, 2019 - Fluc, Vienna, AU
Feb 27, 2019 - Eternia, Prague, CZ
Feb 28, 2019 - Bajkazyl Brno, Brno, CZ
Mar 01, 2019 - Ann and Pet, Linz, AU
Mar 02, 2019 - Alte Hyovereinsbank, Oettingen, DE
Mar 03, 2019 - Secret show, Sulzbach-Rosenberg, DE 
Mar 04, 2019 - Dynamo, Zurich, CH 
Mar 07, 2019 - Capri Bar, Breman, DE
Mar 09, 2019 - Le Petit Bitu, Namur, BE
Mar 13, 2019 - SXSW, Austin, TX
Mar 14, 2019 - SXSW, Austin, TX
Mar 15, 2019 - SXSW, Austin, TX
Mar 16, 2019 - SXSW, Austin, TX
April 16, 2019 - 7th Street Entry, Minneapolis, MN*
April 17, 2019 - Vaudeville Mews, Des Moines, IA* 
April 18, 2019 - Gabe's, Iowa City, IA*
April 19, 2019 - Art-in, Madison, WI*
April 20, 2019 - X-Ray Arcade, Milwaukee, WI*
April 21, 2019 - The Empty Bottle, Chicago, IL
April 23, 2019 - Shakespeare's, Kalamazoo, MI
April 24, 2019 - The Baby G, Toronto, ON
April 25, 2019 - Black Squirrel, Ottawa, ON
April 26, 2019 - Turbohaus, Montreal, QC
April 27, 2019 - The Root Cellar, Amherst, MA
April 28, 2019 - Dusk, Providence, RI
April 29, 2019 - Obrien's, Boston, MA
May 1, 2019 - Root Celler, Bard, NY
May 2, 2019 -Trans Pecos, NYC, NY
May 3, 2019 - Horrorland, Philadelphia, PA
May 4, 2019 - Songbyrd Vinyl Lounge Washington, DC
May 5, 2019 - Guido's, Frederick, MD 
May 6, 2019 - Crayola House, Harrisonburg, VA
May 7, 2019 - The Bakery, Atlanta, GA
May 8, 2019 - Bank St Bar, New Orleans, LA
May 9, 2019 - The Satellite, Houston, TX
May 10, 2019 - Mass, Fort Worth, TX
May 11, 2019 - Beerland, Austin, TX
May 14, 2019 - Lunchbox, Phoenix, AZ
May 15, 2019 - The Smell, Los Angeles, CA
May 16, 2019 - Programme, Fullerton, CA
May 17, 2019 - 924 Gilman, Berkeley, CA
May 18, 2019 - Pizza Planet, Eugene, OR
May 20, 2019 - TBA, Portland, OR
May 21, 2019 - Black Lodge, Seattle, WA
May 22, 2019 - Logan's, Victoria, BC
May 23, 2019 - Static Jupiter, Vancouver, BC
May 24, 2019 - The Palomino, Calgary, AB
May 25, 2019 - Sewing Machine Factory, Edmonton, AB

* w/ Blessed




Artist: Tunic
Album: Complexion
Record Label: Self Sabotage Records / Super Secret Records
Release Date: February 8th, 2019

01. Nothing Nothing
02. Envious
03. Getting Sick
04. Evan
05. Sand
06. Dry Heave
07. Blessed
08. Empty Handed
09. Paper
10. Pores
11. Frontal Lobe








On the Web:
tunicband.com
facebook.com/tunicband
instagram.com/tunicband
www.supersecretrecords.com





02/07/2019

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THE WELL announce new album, share first track via Kerrang!  


"Furiously strong... One of our most anticipated heavy albums of 2016." -- Consequence of Sound

"Their most intimate, darkly personal record yet... Taking them out of the doom corner and giving it a raw, post-punk feel. "Raven" sounds like a Satanic, downtuned Steppenwolf, and frankly we can’t get enough." -- Kerrang!


Austin trio The Well announce their forthcoming third album Death and Consolation today, sharing the first single via Kerrang Magazine. Hear and share "Raven" HERE. (Direct YouTube.)

Death and Consolation is without a doubt a weighty album title. And, The Well is among the heaviest heavy psych bands in existence. So when we say that there's even more darkness and intensity to the band's third album than previous efforts, take heed. It's a deep sea diving bell of enveloping heaviness and longing. 

"This one is a little more personal," says guitarist/vocalist Ian Graham. "2018 was a strange, dark year. A lot of change going on in my life, there was a lot of depression and coming out of it over the last year. I wanted to call this Death and Consolation, because in life that's a constant." 

While The Well continue to walk an intriguing line between authentic early 70s doom/heavy psych and frayed weirdness of dark folk - especially with their haunting unison male/female vocals - the new album also adds the stark vibe of post-punk acts like Joy Division and early The Cure. "I feel like this album is almost more gothic. We're big fans of post-punk," Graham says. There's also much less jamming, the songs are tight and concise. And, did we mention, heavy? The band tuned down a full step to C-standard tuning for this album, which gives the proceedings its monstrous sound.

Sonically, Death and Consolation picks up where The Well -- Graham, bassist/vocalist Lisa Alley and drummer Jason Sullivan -- left off with their widely heralded 2016 RidingEasy album Pagan Science. The band once again recorded with longtime producer/engineer Chico Jones at Estuary Studio in 2018, who has turned the knobs for all three of their albums (Jones engineered the band's debut album Samsara with producer Mark Deutrom [Melvins, Sunn0)))] in 2013.) Samsara, released late September 2014 was ranked the #1 debut album of 2014 by The Obelisk and Pagan Science among the Best of 2016 from the Doom Charts collective. Likewise, the band's intense -- some even say "possessed" -- live performances have earned them featured slots at Austin's Levitation Fest, as well as tours with Kadavar, All Them Witches, Black Tusk and more. 

"This album might be a little less produced, because I didn't want to push technical stuff as much," Graham says. "I'm so scared of getting too complicated when getting better at guitar. This is still kind of punk rock." 

Death and Consolation will be available on LP, CD and download on April 26th, 2019 via RidingEasy Records. Pre-orders are available HERE. 


THE WELL TOUR 2019:
03/01 - Austin, TX @ Hotel Vegas
04/12 - Lafayette, LA  @ Freetown Boom Boom Room
04/13 - Cypress Creek, LA @ Fête du Void Festival
04/24 - Dallas, TX @ Club Dada*
04/25 - Austin, TX @ Barracuda*
05/01 - Omaha, NE @ Slowdown*
05/02 - Denver, CO @ Hi-Dive*
05/03 - Phoenix, AZ @ Yucca Tap Room 
05/04 - Sacramento, CA @ Blue Lamp 
05/09 - Portland, OR @ High Water Mark 
05/10 - Seattle, WA @ Substation
05/12 - Calgary, AB @ Palomino 
05/13 - Edmonton, AB @ Temple 
05/14 - Winnipeg, MB @ The Windsor 
05/18 - Taos, NM @ Monolith on the Mesa Fest
05/19 - El Paso, TX @ Monarch

* w/ Monolord



Artist: The Well
Album: Death and Consolation
Label: RidingEasy Records
Release date: April 26th, 2019

01. Sabbah
02. Raven
03. Death Song
04. Cup of Peace
05. Eyes of A God
06. Act II
07. Freedom Above
08. This Is How
09. Endless Night













On the Web:
www.thewellband.com
www.thewellaustin.bandcamp.com
www.facebook.com/thewellband














02/05/2019

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Canadian noise rockers Tunic premiere intense single "Blessed" from forthcoming Self Sabotage Records debut  

"Off f**king kilter but totally on point!" -- CvltNation

"A quick-moving monument to disaffection. Shades of post-hardcore and noise rock come together in the spirit of cooperative aggression." -- The Obelisk

"Their own unique brand of noise rock and hardcore... Eleven tunes of feedback-laden mastery laid over churning blows of drums and bass." -- Pure Grain Audio


Canadian noise rock trio Tunic share a new single from their forthcoming album today via Pure Grain Audio. Hear and share "Blessed" HERE. (Direct Bandcamp.)

Tunic recently premiered the hallucinogenic and oddly disorienting video for "Dry Heave" via The Obelisk HERE. (Direct YouTube.) CvltNation previously launched lead single "Nothing Nothing" HERE. (Direct Bandcamp and Soundcloud.)

Tunic launches European tour dates next week, followed immediately by North American dates in Spring 2019. Please see current dates below. 

Tunic is born of spite. After years of touring someone else's bass lines across the globe, David Schellenberg was told he wasn't good enough. So he did the only logical thing: buy a guitar, quit your long-time band, and abandon everything you think you know about music. Armed with no skill and a blissfully ignorant embrace of discordant noise, Schellenberg started crafting songs, quickly enlisting childhood acquaintance Sam Neal on drums and roommate Rory Ellis on bass. 

Over the past 4 years and half a dozen DIY releases, Tunic has managed to unleash and tame their unique blend of noise rock and hardcore. Relentless touring has taken them across Canada, Europe and the States, filling clubs, basements, and abandoned prisons with noise. The band released the single Teeth Showing on Toronto's Buzz Records in 2018, which they toured with new drummer Dan Unger.

Tunic's debut album Complexion was recorded in six days in their hometown of Winnipeg, Manitoba with Montreal-based engineer and producer Jace Lasek (Suuns, Land of Talk, Wolf Parade). Complexion picks up where previous releases left off; 11 songs of feedback-laden filth laid over churning blows of drum and bass. Harsh verses about hurting those you never meant to hurt; choruses that sever ties where you never thought you had to. This is unconventional hardcore. This is broken indie rock. This is naïve art.

Complexion will be available on LP, CD and download on February 8th, 2018 via Self Sabotage Records (Pre-order at Big Cartel-Self Sabotage).

TUNIC LIVE:
Feb 01, 2019 - The Handsome Daughter, Winnipeg, MB, CAN
Feb 11, 2019 - Magasin 4, Brussels BE
Feb 13, 2019 - Le Cirque Electrique, Paris FR
Feb 14, 2019 - Raymond Bar, Clermont Ferrand, FR
Feb 15, 2019 - Le Farmer, Lyon, FR
Feb 16, 2019 - Joe Koala, Bergamo, IT
Feb 18, 2019 - Freakout, Bologna, IT
Feb 19, 2019 - Osteria Al Castello, Chiuppano, IT
Feb 20, 2019 - Magazzino Paralello, Cesena, IT
Feb 21, 2019 - Eterotopia, San Giuliano Milanese, IT
Feb 22, 2019 - G.O.B., Viareggio, IT
Feb 24, 2019 - 100-as Klub, Budapest, HU
Feb 25, 2019 - Dvorana Gustaf, Maribor, SLO
Feb 26, 2019 - Fluc, Vienna, AU
Feb 27, 2019 - Eternia, Prague, CZ
Feb 28, 2019 - Bajkazyl Brno, Brno, CZ
Mar 01, 2019 - Ann and Pet, Linz, AU
Mar 02, 2019 - Alte Hyovereinsbank, Oettingen, DE
Mar 03, 2019 - Secret show, Sulzbach-Rosenberg, DE 
Mar 04, 2019 - Dynamo, Zurich, CH 
Mar 07, 2019 - Capri Bar, Breman, DE
Mar 09, 2019 - Le Petit Bitu, Namur, BE
Mar 13, 2019 - SXSW, Austin, TX
Mar 14, 2019 - SXSW, Austin, TX
Mar 15, 2019 - SXSW, Austin, TX
Mar 16, 2019 - SXSW, Austin, TX
April 16, 2019 - 7th Street Entry, Minneapolis, MN*
April 17, 2019 - Vaudeville Mews, Des Moines, IA* 
April 18, 2019 - Gabe's, Iowa City, IA*
April 19, 2019 - Art-in, Madison, WI*
April 20, 2019 - X-Ray Arcade, Milwaukee, WI* 

* w/ Blessed




Artist: Tunic
Album: Complexion
Record Label: Self Sabotage Records / Super Secret Records
Release Date: February 8th, 2019

01. Nothing Nothing
02. Envious
03. Getting Sick
04. Evan
05. Sand
06. Dry Heave
07. Blessed
08. Empty Handed
09. Paper
10. Pores
11. Frontal Lobe








On the Web:
tunicband.com
facebook.com/tunicband
instagram.com/tunicband
www.supersecretrecords.com





02/05/2019

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